Amatl Comix · a San Diego State University Press imprint

THE COMPLEAT
MOSCOW CALLING

by José Alaniz

front & back covers — click to enlarge

About the Book

A lost 1990s epic of expat life in Russia, The Compleat Moscow Calling follows innocent-abroad Pepe Pérez through a post-Soviet Moscow of colorful personalities, extreme contrasts, and a “mafiya” boss after his head. Worst of all: there’s no Mexican food.

Alaniz created “Moscow Calling” while working as a journalist in Russia; the strip ran in the English-language The Moscow Tribune after the fall of the Soviet Union. This collection gathers the strip, completes its storyline as a graphic novella, and adds further work from Alaniz’s Russian years, including the unfinished sequel “Cassie’s Turn,” the prose/graphic material “Moscow 93,” and the comics short story “Mariupol,” which turns toward the war in Ukraine.

What emerges is part expatriate chronicle, part cartoon grotesque, and part time capsule: a pre-Putin Russia rendered through the eye of a Mexican American cartoonist-journalist who was actually there.

Advance Praise

“Both wonderful and wonderfully demented. Also makes me strangely nostalgic.”Gary Shteyngart — author of The Russian Debutante’s Handbook and Absurdistan
“The Compleat Moscow Calling makes for quite the culture shock with its tale of a Mexican-American’s adventures in pre-Putin Russia. Remarkable, multilingual—a sequential arts achievement!”Hector Rodriguez — creator of El Peso Hero
“With a journalist’s eye and a cartoonist’s wit, he spins grand tales that interweave a talking bat and a motorcycle-riding Baba Yaga … an entertaining visual Molotov cocktail. Heed the call!”Javier Hernandez — creator of the El Muerto graphic novel series
“As scrappily independent as the newspaper in which they first appeared, the strips in José Alaniz’s The Compleat Moscow Calling echo with a visual language all their own: Nadsat by way of South Texas.”Álvaro Rodriguez — Machete

About José Alaniz

José Alaniz is a professor of Slavic Languages and Literatures at the University of Washington, where his fields include comics, Russian and post-Soviet culture, disability, cinema, and ecocriticism. His scholarly books include Komiks: Comic Art in Russia, Death, Disability and the Superhero, and Resurrection: Comics in Post-Soviet Russia. He is also the cartoonist and writer of The Phantom Zone and Other Stories and other comics and prose.