San Diego State University Press and Hyperbole Books
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Assessment: The Initial Clinical Interviews: The Technique and Practice of Psychoanalysis 3
(The Ralph R. Greenson Training Seminars)
Lee Jaffe, Editor, Foreword
Harry Polkinhorn, Series Editor
Publication Date: February 1, 2015
144 pages | cover price: $22
On sale for $16.95 via the
"Ralph Greenson was a gifted charismatic teacher of psychoanalytic technique, premiere in his generation. I and many other students of analysis had the privilege of learning from his clear yet scintillating seminars on dreams and clinical practice. The editor has done a major service to all mental health practitioners in providing these brilliant sparkling Greenson seminars, notes, and papers for our benefit."
Professor of History Emeritus, UCLA
Training and Supervising Analyst, Dean Emeritus
New Center for Psychoanalysis, Los Angeles
In the pages of this new, revised edition of Ralph R. Greenson's ASSESSMENT: THE INITIAL CLINICAL INTERVIEWS from San Diego State University Press, readers 'listen in on" the noted West Coast clinician's three introductory seminars that took place in Los Angeles, California in 1959.
Perhaps best known as Marilyn Monroe's psychiatrist, Greenson is a force in the history of psychoanalysis--especially that flavor of Freudian theory and practice that prospered on the West Coast after the middle of the last century. Lee Jaffe's newly re-edited and annotated edition emerges as a must-have volume for scholars, students, and psychologists interested in clinical practices, the history of medicine, the history of science, and/or psychoanalysis.
Things We Do Not Talk About
Exploring Latino/a Literature through Essays and Interviews
By Daniel A. Olivas
Publication Date: June 1, 2014
$21 • paperback • 202 pp.
Things We Do Not Talk About is a natural companion to the study of contemporary Latino/a literature. In this candid and wide-ranging collection of personal essays and interviews, Daniel A. Olivas explores Latino/a literature at the dawn of the 21st century. While his essays address a broad spectrum of topics from the Mexican-American experience to the Holocaust, Olivas always returns to and wrestles with queries that have no easy answers—questions about writing and Chicano identity; literature; and the politics of everyday life, among others. Olivas has explored similar questions through almost a decade’s worth of interviews with Latino/a authors—twenty-eight of these incisive and frank dialogues are now collected in one volume for the first time. Olivas dives deep to discover how these authors create prose and poetry while juggling families, facing bigotry, struggling with writer’s block, and deciphering a fickle publishing industry. This roster of interview subjects is a who’s who of contemporary Latino/a literature including:
Aaron A. Abeyta • Daniel Alarcón • Francisco Aragón • Gustavo Arellano • Gregg Barrios • Richard Blanco Margo Candela • Susana Chávez-Silverman • Sandra Cisneros • Carlos E. Cortés • Carmen Giménez Smith • Ray González • Rigoberto González • Octavio González • Reyna Grande • Myriam Gurba • Rubén Martínez • Michael Luis Medrano • Aaron Michael Morales • Manuel Muñoz • Salvador Plascencia • Sam Quiñones •
Ilan Stavans • Héctor Tobar • Justin Torres • Sergio Troncoso • Luis Alberto Urrea • Helena María Viramontes
Advance notices for Things We Do Not Talk About:
“Olivas’s penetrating meditations on all facets of the life of Latino fiction writing, including his own as a Latino lawyer eking out a living in the global conundrum of LA—dazzle! His cornucopia of incisive interviews with many of our great contemporary Latino/a poets, novelists, short story, and non-fiction authors—astound! Wide ranging and yet laser focused, Olivas gives us the total portrait of Latino/a letters today.”
—Frederick Luis Aldama, Arts & Humanities
Distinguished Professor of English at
The Ohio State University and author of
The Routledge Concise History of Latino/a Literature
“With passion and earnestness Daniel Olivas reveals that the preoccupations of the contemporary Chicana/o writer are vast and complex. Most Chicanas/os and Latinas/os would attest to this, of course, but how often do we see this range in published form? Through personal essays and probing interviews, Olivas tackles not only the craft of writing but also its moral implications. We are lucky to have such a generous author in our midst.”
author of The Deportation of Wopper Barraza
note: The cover of THINGS WE DO NOT TALK ABOUT features the painting, "Coatlique," by Perry Vasquez! Find out more about Vasquez's remarkable art here.
The Flesh-and-Blood Aesthetics of Alejandro Morales: Disease, Sex, and Figuration
Publication Date: August 1, 2014
$21 USA | $22.50 CAN | $265 MEX | €15
The Flesh-and-Blood Aesthetics of Alejandro Morales— Disease, Sex, and Figuration is the first full-length study in English of Alejandro Morales, a Chicano writer from East L.A. whose innovative novels are published internationally. In it, Marc García-Martínez pursues a bold inquiry into the way Morales’ post-movimiento oeuvre ought to be read. The reader is taken on a lively exploration of six extraordinary novels that is simultaneously insightful and instructive. The book is a compelling explication of Morales’ visceral art, which reminds us that in our overly theoretical, increasingly digital field of contemporary literary studies that often regards close reading and fundamental interpretation as démodé, there is still a much-needed place for both.
Advance word on García-Martínez's 'Flesh-and-Blood Aesthetics:
“Marc García-Martínez’s in-depth study of Alejandro Morales’ novels elucidates many points critics have only danced around. His persistent critical—“clinical”—eye dissects their Kafkaesque and Dantesque qualities, offering aesthetically coherent textual-thematic explanations. His analyses of Morales’ oeuvre penetrates the obscure, the unfiltered, and the fetishness of a heterotopia that focuses on visceral figurations in order to capture the multilayered density, thus demanding a better understanding of disease, disorders, and decadence. By demystifying abstractions, he leads us to decipher Morales’ narrative artifacts and his tools of storytelling, not only as rich metaphorical instruments but also as arrows and markers of a literary cosmos that oscillates between hyper-realism and infra-realism, and sometimes expressionism. In the process, he invokes a diagnosis of semiotic connotations into the author’s artistry with cardinal points within postmodern ethno-history as well as overlapping symbologies, ranging from Medieval antiquity to Mesoamerican rituals and Judeo-Christian figures and motifs. The result is a detailed composite of Morales’ multiple triads that operate within his novels which ultimately help explain the transcendence of his monsters, graphic or flesh-and-blood imagery, quasi-cybernetic beings, existential characters and apocalyptic overtones. Morales’ genius becomes unveiled thanks to his insistence on conflating technology and science, urban ecology, cultural ruin vs. renaissance, mythology, futuristic conceptualizations, (post)colonialism and self-determined consciousness. Marc García-Martínez masterfully manages to push critical studies on Alejandro Morales into the twenty first century.”
Francisco A. Lomelí, Professor of Spanish & Portuguese and Chicana/o Studies at the University of California, Santa Barbara, editor of Aztlán: Essays on the Chicano Homeland (with Rudolfo A. Anaya).
“Leaving in the dust all those highfalutin’ literary theories of yesteryear, Marc García Martínez digs heels in deep to dig out a radically new aesthetic paradigm. His is a poetics that grows out of the smells, sights, and tastes of the panoply of ever-mutable bodies that populate one of our most extraordinarily inventive of Latino authors: Alejandro Morales. By ripping open Morales’s works García Martínez pulls back flesh and bone to dissect and show how this master storyteller jolts to life those putrid and pulchritudinous bodies that have so enraptured us readers. Flesh-and-Blood is aesthetic theory at the vanguard—and at its best!”
Frederick Luis Aldama, Arts & Humanities Distinguished Professor and University Distinguished Scholar at The Ohio State University, author of The Routledge Concise History of Latino / a Literature
Towards a Humanistic Paradigm
photography by Antonio Turok
$16.95 USA | $210 MEX | €13
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Brash, intelligent, and possessed of a searing rhetorical passion, Alvaro Huerta's Reframing the Latino Immigration Debate asks readers to reassess critical political and cultural issues unfolding along the U.S./Mexico border. Paired in this volume with the striking photography of Antonio Turok, Huerta's words move readers "towards a humanistic paradigm" in a work that emerges as must-reading for students, scholars, and policy-makers alike.
"Alvaro Huerta provides a ground-up view of the most pressing issues facing our nation of immigrants. Drawing on personal and familial experience, and a scholar's understanding of social history and current political dynamics, Huerta offers a human face to issues that have been overwhelmed with heated rhetoric and special interests."
CHON A. NORIEGA
Director and Professor
UCLA Chicano Studies Research Center
Author of Shot in America
"I urge you to read this impassioned defense of immigrants in the United States. Powerful and poignantly personal, Huerta's book humanizes an issue that is so often distorted by opportunistic politicians and crass pundits. He spares neither the Republicans nor President Obama in his critiques, and he makes an irrefutable case for amnesty. Pay attention to Alvaro Huerta: his words pack a punch."
Editor, The Progressive
Author of You Have No Rights
"Dr. Alvaro Huerta provides a compelling antidote to the anti-Latino rhetoric so prevalent in recent decades. His is a personal response to seemingly impersonal policies of detention, stigmatization, and undermining of Latino citizenship and belonging. Highly recommended for anyone interested in the 'other side' of the story about immigrants and their children in our society."
LEO R. CHAVEZ
Professor, University of California, Irvine
Author of The Latino Threat
The Technique and Practice of Psychoanalysis, 5
The Ralph R. Greenson Training Seminars, Notes,
Psychoanalysis on the Couch Series
Ralph R. Greenson, Author
Harry Polkinhorn, Editor, Foreword
November 1, 2014
Product Dimensions: 9 x 6 x 1 inches
The Technique and Practice of Psychoanalysis, 5, by Ralph R. Greenson continues the series of publications growing out of the Ralph R. Greenson Archive of the San Diego Psychoanalytic Society and Institute. The series editor, Harry Polkinorn, Professor Emeritus of English and Comparative Literature, and academic programming director for the San Diego Psychoanlytic Center, has worked with archival audio tapes and transcripts to produce a book that makes Ralph Greenson's teaching seminars come alive again. Greenson's dynamic and influential approaches to psychoanalysis mark a crucial moment in the evolution of Psychoanalysis on the U.S. West Coast and, while rooted in the late 20th century, remain vital for theorists and practitioners alike in the 21st century.
The Technique and Practice of Psychoanalysis, 4
The Ralph R. Greenson Training Seminars, Notes,
Psychoanalysis on the Couch Series
Ralph R. Greenson, author
Harry Polkinhorn, editor, series editor
January 1, 2013
Perfect Paperback: 186 pages
1ST edition (2013)
Product Dimensions: 9 x 6 x 1 inches
cover price $18.95
The Technique and Practice of Psychoanalysis, 4 by Ralph R. Greenson continues the series of publications growing out of the Ralph R. Greenson Archive of the San Diego Psychoanalytic Society and Institute. In this second (of seven) volumes of Dr. Greenson’s training seminars, notes, and miscellaneous papers, we listen in on a master clinician working with advanced candidates in psychoanalytic training on topics including empathy and transference. The freshness and vitality of these transcribed seminar discussions complement Greenson’s more formal presentations found in his other published works.
“Ralph Greenson was a gifted charismatic teacher of psychoanalytic technique, premiere in his generation. I and many other students of analysis had the privilege of learning from his clear yet scintillating seminars on dreams and clinical practice. The editor has done a major service to all mental health practitioners in providing these brilliant sparkling Greenson seminars, notes, and papers for our benefit.”
Professor of History Emeritus, UCLA
Training and Supervising Analyst, Dean Emeritus
New Center for Psychoanalysis, Los Angeles
Former Chair, APsaA CORST Committee
Chair, IPA China Committee
"According to his son Daniel, Ralph Greenson was born on September 20, 1911, in Brooklyn, New York, and died on November 24, 1979, in Los Angeles, California. He was a twin. His father was a physician, his mother a pharmacist, so he came from a scientific background. After studying at Columbia University, and because Jews were still blocked from some American medical schools, Greenson pursued his medical training at the University of Bern between 1930 and 1934, where he met Hildi Troesch, whom he later married and with whom he had two children, Daniel and Joan. After medical school, Greenson began analytic training with Wilhelm Stekel in Vienna. Because he was not satisfied with his initial experiences, Greenson undertook further training in Los Angeles in 1938, where he had an analysis with Otto Fenichel. Greenson settled in Los Angeles and became an important member of the psychoanalytic community there, eventually achieving prominence as a scholar, lecturer, and teacher of analytic candidates and medical students. Greenson used his charisma and love of psychoanalysis to support various causes, such as the Center for Early Education, the Reiss-Davis Clinic, the Los Angeles Psychoanalytic Society and Institute, and the Anna Freud Foundation. He also assisted with the founding of the San Diego Psychoanalytic Society and Institute. Greenson served on various editorial boards of important journals in his field and was a frequent participant at national and international professional meetings. Greenson served on the Board of Professional Standards of the American Psychoanalytic Association and was President and Dean of the Los Angeles Psychoanalytic Society and Institute, as well as Clinical Professor of Psychiatry at U.C.L.A."
From the introduction by Dr. Harry Polkinhorn
REPRESENTATIONS OF FASHION:
The Metropolis and Mediological Reflection between the Nineteenth and the Twentieth Centuries
(Bi Sheng/Juan Pablos Digitovisuo Artifacts Series)
Paperback: 114 pages | Hyperbole Books 1ST edition (2013)
Advance word on REPRESENTATIONS OF FASHION
The rest of us interpreters of culture might as well lay pens to rest. Antonio Rafele's rapid injection in the arm spirals us down through rabbit holes where we glimpse with penetrating insight projections of our urban-made psychic selves. As if lucid dreaming, we come to understand how authors such as Poe, Leopardi, and García Márquez offer pit-stops in our otherwise impossibly fast-forward moving, Ritalin-induced life filled to the brim with TV, internet, and videogames. We can reach through this illusion, but choose instead to buy into the discontinuities of fashion that never quite satiate our existential emptiness. Not since Baudrillard, Barthes, McLuhan, and the Wachowski Bros has such a mind come along who can zip open reality to show with such precision the specular and spectacular nature of our existence...Dare if you will to step into this daydream.
FREDERICK LUIS ALDAMA | Arts & Humanities Distinguished Professor at The Ohio State University
"In this provocative and pathbreaking book, Rafele shows us how a mediological approach can radically and productively reframe our understanding of modernist subjectivity. His lyrical meditations on the works of Simmel and Benjamin reveal the extent to which 20th century notions of subjectivity must be understood in relation to 19nth-century concepts of the metropolis and the technology of photography. If you've ever wondered what the 'New' in New Media Studies might actually look like, you'll find a compelling example in this brilliantly-conceived and well-executed study."
RYAN SCHNEIDER | Associate Professor & Director of Graduate Studies, Department of English and Affiliated Faculty, Program in American Studies, Purdue University
The Work of Kathy Acker
by Spencer Dew
Publisher: Hyperbole Books
an San Diego State University Press imprint
1ST edition (2011)
$24.00 list price | trade paperback
SDSU via amazon sale price: $17.95
Hyperbole Books heralds the release of a new, dynamic title focused on the work of a 20th Century American Original: Kathy Acker.
"An indispensable entry into the annals of Ackerania, Spencer Dew's Learning for Revolution: The Work of Kathy Acker provides a poetic, personal, political, and, above all, pedagogical take on a critical figure whose contributions to finding and teaching imaginative ways of engaging with reality cannot be overstated. A deeply humane and insightful book, this should be on the shelf of anyone interested in "the ability of artistic work to affect change in the world" and who also seeks to find the blood and guts of what it means to interact morally and ethically with other human beings."
author of Live Nude Girl:
My Life as an Object
"So often, academics (myself included) have approached Acker as a punk/plagiarist revolutionary without satisfactorily asking why ultimately is she doing this? Alternatively, Spencer Dew's Learning for Revolution applies the secular concept of the Talmudic (Blanchot) to Acker's work, to propose a compelling answer to that question: Acker's writing aspires to the pedagogical, the instructional... I am not declaring this the end of Acker criticism, but Dew certainly has created a strong argument that will reverberate throughout Acker scholarship."
rogue scholar and author of
Devouring Institutions: The Life Work of Kathy Acker
"Progress is possible; plagiarism implies it. Spencer Dew offers an excellent guide to Kathy Acker as a progressive writer, at odds with exploitation and oppression in all forms. He is a patient reader of Acker as reader, of Blanchot and others, for whom friendship is the key to practicing another kind of life. Not the easiest person to befriend in life, Dew shows Acker on the page to be a writer whose generosity borders the infinite."
author of A Hacker Manifesto
150 YEARS OF EVOLUTION
Darwin's Impact on Contemporary Thought and Culture
Mark Wheeler, editor, with William Nericcio
San Diego State University Press
$24.95 U.S. | $23.50 CAN | $288 MXN | 17 Euro
Science / Cultural Studies / History of Science / Philosophy
In November 2009, scholars representing academic disciplines from across the globe gathered at San Diego State University to celebrate Charles Darwin's 200th birthday and the sesquicentennial anniversary of the publication of his On the Origin of Species by Means of Natural Selection. Out of this event now comes 150 Years of Evolution: Darwin's Impact on Contemporary Thought and Culture. Edited by Mark Richard Wheeler with the assistance of William A. Nericcio, this compelling, interdisciplinary anthology features studies of interest to diehard Darwin scholars and to general audiences interested in the consequences of this singular thinker's work. The volume includes new work by Curtis Johnson, Michael T. Ghiselin, Alan C. Love, Matthew Crippen, Richard Weikart, Sandra A. Wawrytko, Julius H. Bailey, Erin McKenna, John Rhea, Ellen Mayock, Donna Yarri & Spencer S. Stober, Mary Trachsel, and Leesa Rittleman.
|Homer from Salinas
John Steinbeck's Enduring Voice for California
William A. Nericcio (Editor)
$14.95 list | trade paperback
From April to May 2007, some of the most celebrated scholars of American Literature, cultural studies, and California history joined with noted artists, performers, and photographers for a unique John Steinbeck celebration at San Diego State University. Homer from Salinas: John Steinbeck's Enduring Voice for California collects these lectures, screenings, debates, discussions, and visual artifacts into one handy volume that unfolds as a mélange of old school conference proceedings, next-generation, Web 2.0 journalism, and a scrapbook. The collection, edited by William A. Nericcio, includes outstanding pieces by Jeffrey Charles, Charles Wollenberg, William Deverell, Francisco X. Alarcón, Hernán Moreno-Hinojosa, Pam Muñoz Ryan, Paul Wong, Fred Gardaphé, Arturo J. Aldama, Michael Harper, Joanna Brooks, Arthur Ollman, Louis Hock, and Susan Shillingslaw.
Núria Vilanova's new book is about borders and texts . . .
Vilanova's dynamic project studies the relationship between the Mexico-U.S. border and some of the fiction produced in the area. What are the different presences of the border within these texts? Is the border so powerful as to permeate the aesthetics and literary discourse of such texts? Can the multidimensional space of the border be determinant in the making of fiction? After a review of border dynamics within the Mexico-U.S. context, with a look at border and Chicano studies, Border Texts explores the fiction of Jesús Gardea and Luis Humberto Crosthwaite.
Latin Americanist Núria Vilanova has devoted much of her research to the Mexico-U.S. border from a cultural and literary perspective. After completing her Ph.D. at Liverpool University (1993), Vilanova established herself as an authority on Peruvian literature. She has taught in several universities in Latin America, Europe, and the United States. She is the author of The Impact of Social Change upon Literature: Social Change and Literature in Peru (1970-1990) (1998)."
"Vilanova's Border Texts is rich and multifaceted study that blends literary and cultural studies, economics, history, and the sociology of immigration studies. This complex and highly readable study opens a terrain to understand how Mexican based border writers, theorists, and cultural producers articulate the ever growing discourse of those on the Otro Lado (the other side) of the U.S line of empire and provides a rich and compelling side of border cultures from South to El Norte, rather than its reverse. As such, Vilanova's study brings to the fore voices of Mexican based border writers and cultural producers adds to the rich epistemic and political shibboleth of post-contemporary U.S. border theory and studies."
click the lips for the latest news on our new Oliver Mayer collection
The Hurt Business!
Oliver Mayer's Early Works Plus [+]
edited by William A. Nericcio buy direct!
Fluxus: The History of an Attitude
Owen F. Smith
ISBN 1-879691-51-5 | 1998 trade paperback | 326 pp. | US $27.00 | Second Printing $18.95 ONLINE SPECIAL!
Fluxus: The History of an Attitude is based on the author's exhaustive archival research tracking the physical remains of this fascinating interdisciplinary and international arts movement that began in the 1960s. Smith, in his "introduction," says, "Fluxus was once called 'the most radical and experimental art movement of the sixties,' but for anyone seeking to learn more about the historical nature of Fluxus and its conceptual framework it might more readily seem to be just plain frustrating rather than radical. This is in part the case because Fluxus is historically complex and philosophically difficult to define. This very ambiguity, however, is an aspect of its radicality. Fluxus is both an attitude towards art-making and culture that is not historically limited, and a specific historical group. As an attitude, Fluxus is part of a larger conceptual development that is a significant, although often overlooked, current of the twentieth-century Western avant-garde. This attitude is in part traceable to the network of interrelated ideas about culture, politics, and society explored earlier in the twentieth century by the Futurists, the Dadaists, and the Surrealists. Some of these same ideas were later explored after World War II by artists associated with groups such as Letterism, International Situationism, Nouveau Realisme, and Fluxus itself." Also, Smith claims the Fluxus is still very much alive today and that "Fluxus is by nature anti-reductivist, for it does not seek the illumination of some end or fact but celebrates participation in a non-hierarchal density of experience. In this way Fluxus does not refer to a style or even a procedure as such but to the presence of a totality of social activities. Fluxus seeks to shift from traditional utilitarian-based proscriptions to an open-ended, less evaluative participation in the processes themselves." The book is provided with a comprehensive bibliography and index.
Future of the First Capital of the
Loreto: El Futuro de la Primera Capital de las Californias
Paul Ganster, Oscar Arizpe, and Antonina Ivanova
Loreto: The Future of the First Capital of the Californias is a bilingual (English and Spanish) collection of 17 essays written by scholars from the United States and Mexico that discusses the historical development as well as challenges that Loreto, Baja California Sur, faces. Six major themes are: (1) natural resources and environment; (2) history, society, and culture; (3) economy and regional development (4) tourism; (5) government and quality of life; and (6) the challenges ahead.
$29.50, plus tax (if applicable) and shipping
704 pages (6 x 9 1/4 inches) © 2007
San Diego State University Press and Institute for Regional Studies of the Californias
$14.95 via AMAZON.com
Perversions on Parade: Brazilian Literature of
Transgression and Postmodern Anti-Aesthetics in Glauco Mattoso
Steven F. Butterman
This is the first book-length scholarly treatment in English of the Brazilian poet Glauco Mattoso's work, some of which was written during Brazil's most recent dictatorship (1964-85). Steven Butterman highlights Mattoso's themes of homosexuality, fetishism, and symbolic sadomasochism within a context of a comparative examination of transgressive literature in the Western canon (Rimbaud, Baudelaire, Verlaine et al) with particular emphasis on Luso-Brazilian literature from the Middle Ages to the present.
Poetry International #9
New U.S poems by Jan Lee Ande, Chris Buckley, Philip Dacey. Ann Fisher-Wirth, Linda Pastan, Charles Harper Webb, and many others | International poems in translation from Mexico, Italy, Spain, China, Columbia, France, Germany, Costa Rica, Italy, and Japan | A special feature celebrating the legacy of William Matthews | The remarkable art of Millicent Tomkins...and much, much, more.
CLICK THE COVER OF ISSUE 9 TO BE TRANSPORTED TO THE POETRY INTERNATIONAL HOMEPAGE
|Soldier to Ambassador: D-Day Normandy
Landing to the Persian Gulf War | A Memoir Odyssey
by Charles W. Hostler
HOSTLER LAUDED BY CHIRAC AND BUSH
AT INTERNATIONAL D-DAY CEREMONY!
CLICK FOR LARGER VERSION
original link here
|Working the Stone: The Natural, Social,
and Industrial History of the Village of Farnams, Town
of Cheshire, County of Berkshire, Commonwealth of
by Paul Metcalf & Lucia Saradoff
Foreword by June Nash
Working the Stone is a unique work made up of text and images that takes as its focus an abandoned New England limestone quarry. Placed in an extended chronology of the area's archaeology going back 350 million years, Metcalf's and Saradoff's work moves into an orchestrated oral history of the quarry told by people who remember how the enterprise was set up and run. Waves of immigrants from Germany, Ireland, Poland, and Italy occupied villages in the area and worked at the quarry and plant, which was eventually acquired by U.S. Gypsum. Mechanization of the work processes replaced men and their laboriously gained expertise. Farnams then became a ghost town, and only recently has the area begun to experience a revival brought about by young professionals eager to return to the land. The story of the plant, quarry, and its people over the generations grows out of a complex weave of lyrical prose, oral histories, drawings, documents, and historical and contemporary photographs all unified in a testament to the enduring human spirit.
Tecate Baja California: Realities and Challenges in a Mexican Border Community
Edited by Paul Ganster et al.
A bilingual publication of 19
essays describing current trends and challenges in
Tecate, Baja California.
|BACK IN PRINT
Voyage to the End of the WORD
translated by Harry Polkinhorn and Teresa Fiore
1st ed.. San Diego State University Press, 1997
Descript xiii, 109 p. : ill. ; 23 cm
Italian poetry and Experimental
poetry by one of Italy's most noted and innovative
|A Description of Distant Roads
Original Journals of the First Expedition into California, 1769-1770 by Juan Crespí
Edited and Translated by Alan K. Brown.
San Diego State University Press,
2001. ISBN 1-879691-64-
890 pages || deluxe hard cover edition || $60.00
This volume includes the complete journals of Juan Crespí in Spanish and English. Este tomo incluye los diarios completos de Juan Crespí en español y ingles.
This work makes available for the first time the complete journals of Juan Crespí, the Franciscan friar who accompanied the first expeditions that established Spanish presence in Alta California. Beginning at the northern edge of the mission frontier of Baja California, the 1769 expedition trekked overland some three hundred miles to establish San Diego. From there, Crespí and the contingent of military personnel and Indian auxiliaries traveled northward on to Monterey and back again. Crespí journals provide the first detailed observations about the new land of Alta California and its peoples. This book is an essential source for the history of Spanish occupation of Alta California and the native Americans inhabiting the land.
This volume, which is the result of some forty years of research by Alan K. Brown, brings together what Crespí wrote in its entirety. All other printed and manuscript versions were censored, heavily edited, condensed, and excerpted by Serra, Palou, and othersalterations that dropped out critical detail and valuable information. This edition makes all other printed versions of Crespí's journals obsolete.
Brown has stitched together the complete journals from different manuscript versions in archives in Europe and the Americas. They are presented by the editor in the original Spanish with detailed annotations and comparisons of alternate versions of sections of the text. As well, Brown provides a new English translation of the full texts.
The work includes an extensive introduction by Alan K. Brown that in itself is a valuable contribution to the history of the period and gives a detailed and realistic vision of the life of Crespí. The volume also contains detailed explanatory notes, an index of sites, a general index, and a list of references.
What the experts say:
"Thanks to the erudition and
detective work of Alan K. Brown and the high scholarly
standards of SDSU Press, we no longer have to depend
on a flawed version of this essential account of the
founding of Spanish California. This is the definitive
edition, in English AND Spanish.
David J. Weber, Dedman Professor of History, Southern Methodist University, and author of The Spanish Frontier in North America (1992) and many other books on the Spanish-Mexican borderlands.
"This work will be an integral
part of any collection of basic California historical
materials. Researchers in related fields such as
anthropology, historical geography, and ethnobotany,
along with history buffs and mission aficionados will
seize upon it as a Îmust read itemâ and it becomes an
instant Îmust possessâ title for any California
library reference collection. Alan K. Brown deserves
immense credit for his monumental research, editing,
and analytical effort that produced this volume.
Harry W. Crosby, author of Antigua California, Mission Colony on the Peninsular Frontier, (1994).
"Alan K. Brown has provided
historians, scholars, and researchers with a
tremendous gift. His monumental and authoritative
translation of Crespí's complete journals will quickly
become an indispensable work for all who study the
history of California. The introduction to Brown's
work is, in and of itself, a masterful piece of
research and writing. The extensive and thorough
footnotes attest to Brown's careful attention to
detail and desire to include the latest scholarship in
his work. Brown's translations from the original
Spanish texts are superbly done. They remain faithful
to the Spanish but are "reader-friendly." Having the
Spanish version of the original journals available in
the text for comparison purposes greatly increases the
value of Brown's contribution to researchers.
Rose Marie Beebe, President, California Mission Studies Association and Professor of Spanish, Santa Clara University
For a review of this volume by bajacalifornia.org, click here
The U.S-Mexican Border Environment: U.S.-Mexican Border Communities in the NAFTA Era
Edited by Norris C. Clement
This volume is the fourth in the SCERP Monograph Series. It analyzes how the demographic, economic, infrastructure, and environmental characteristics of the border region have changed from the period prior to the implementation of the North American Free Trade Agreement to 2000.
The U.S.-Mexican Border Environment: Economy and Environment for a Sustainable Border Region: Now and in 2020
Edited by Paul Ganster
This is the third volume in the
SCERP Monograph series. It comprises the papers and
deliberations presented at Border Institute II, which
upon the discussions during the first Border
Institute. Further, the work explores the challenge of
reinventing the economy to provide a solid base for
achieving development, providing necessary
environmental infrastructure, and enhancing quality of
life in the border communities.
Cooperation, Environment, and Sustainability in Border Regions
Edited by Paul Ganster
Cooperation, Environment, and
Sustainability in Border Regions is based on
papers presented late in 1999 at the San Diego,
California meeting of the Border Regions in Transition
(BRIT) group. An international network of border
specialists, the BRIT group has also convened in
Berlin (1994), Joensuu on the Finnish-Russian border
(1997), and in Chandigarh, India, near the
Indian-Pakistani border (2000). Key themes of this
volume are transborder cooperation, border
environmental concerns, and issues of sustainable
development in border regions, including the
U.S.-Mexican border region, European border regions,
the Baltic region, Russian-Finnish border areas, and
Asian border regions. Also included are essays on
methodological and theoretical approaches to border
|OTHER TITLES OF NOTE|
A Baja California Indian Community at Mid-Century
by William D. Hohenthal, Jr.
Edited by Thomas C. Blackburn,with contributions by Margaret Langdon, David Dronenfeld, and Lynn Thomas.
Produced as a cooperative
publication of Ballena Press and the Institute for the
Regional Studies of the Californias, this book
provides a richly detailed ethnography, native
toponyms, kin terms, ancient enmities, and traditional
material culture of work that has been obscured for
over 50 years. It is useful both as a primary source
and a compendium of information on the Tiapi/Diegueño
communities of Northern Baja California. An
accompanying map circa 1950 aids the reader in
locating the ethnography in a historical and
For information on other RELATED
publications, visit the IRSC web site.
|The U.S.-Mexico Border
A Road Map to a Sustainable 2020
Edited by Paul Ganster
The U.S.-Mexican Border
Environment: A Road Map to a Sustainable 2020
brings together background papers and ancillary
materials prepared for the Border Institute I, held in
December 1998. The briefing papers, as presented at
Border Institute I and then revised, lay out basic
information and analysis about the population,
economy, environment, and governance of the border
region. They provide the context for discussions of
the environmental sustainability of the region over
the next twenty years or so. The purpose of Border
Institute I was to encourage stakeholders in the
region and elsewhere to redirect their focus from
immediate and urgent current border environmental
issues to the steps that must be taken soon if the
region is to arrive at 2020 with a healthy and
sustainable environment. SCERP, and its partners
in Border Institute I--the U.S. Environmental
Protection Agency and the Border Trade Alliance--will
convene additional meetings approximately every year
to continue the discussion on key aspects of the
environmental sustainability of the border region.
Each of these institutes will produce a volume for the
SCERP Monograph Series.
Una Visión Fotográfica e Histórica
A Photographic and Historic View
Harry Crosby, Paul Ganster, David Piñera Ramírez, & Antonio Padilla Corona
paper, 58 pp and 42 black-and-white photographs.
12" x 12"
US$18.50 plus shipping, handling & applicable taxes
This bilingual book of 42 black
and white photographs and an interpretive essay with
two maps provides a view of Tijuana in 1964. It is a time in the city that many
people remember, but many never knew. The book
portrays Tijuana when it was still a small city of
235,000, with a clearly defined center. Since
that time, rapid population growth, industrialization,
and urban sprawl have created the huge and complex
city we know today. Tijuana in 1964 was a dual city,
with one part oriented toward tourism activities and
life north of the border. The other part was a totally
Mexican city, with economic, social, and cultural
activities oriented toward national life. Tijuana 1964
effectively depicts this dualism. Click on the ancient
camera to your right to see a selection of plates from
International Border Area Planning Atlas / Atlas de
Planeación del Área Fronteriza Internacional
paper, 64 pp
14 1/2 x 26 1/2 inches
shipping, handling & applicable taxes
ORDER FORM | PEDIDOS
Additional set(s) of unfolded maps available at:
$15/set with purchase of Atlas
$25/set without Atlas
This bilingual Atlas integrates
U.S. and Mexican data to provide a harmonized view of
the binational strip of land that serves as an
interface between San Diego and Tijuana. The Atlas
includes 15 full-color thematic maps of the San
Diego-Tijuana border region and 35 black-and-white
photographs. Detailed thematic essays by experts
provide context and commentary for understanding the
maps. Essay topics include: land use, planned land
use, water, sewage, transportation infrastructure,
population, employment, public facilities, vegetation
and land cover, topography and hydrography, and
others. The Atlas was produced through the
collaboration of San Diego State University's
Institute for Regional Studies of the Californias, The
SDSU Department of Geography, the Municipal Planning
Institute of Tijuana (IMPlan), the City of San Diego,
the San Diego Association of Governments and San Diego
State University Press.
Federman A to X-X-X-X: A Recyclopedic Narrative
Edited by Larry McCaffery, Thomas Hartl, and Doug Rice
paper, 400 pp.
via AMAZON, sale, $12.95
This is a large "casebook" of materials related to the life and work of Raymond Federman. A French Jew and Holocaust survivor, one of the world's leading Beckett scholars, and the author of over twenty books of fiction, poetry, and criticism, Federman has also been one of postmoderism's most radical liteary innovators and most influential theoreticians. Federman A to X-X-X-X is the first major critical study devoted to his work to appear in America. Assembled by editors Larry McCaffery, Thomas Hartl, and Doug Rice, the volume unfolds as a series of several hundred alphabetically arranged entries in double columns forming an elaborate mock-encyclopedia of the sort Borges or Nabokov might have imagined. These entries include over a hundred representative stories, novel excerpts, essays, poems, and letters by Federman, many of which are previously unpublished, and hundreds of other entries by authors, critics, editors, and correspondents analyzing, criticizing, or often collaborating with Federman's works. Also included are individual entries on authors, artists, and books that influenced Federman, samples from a wide range of fiction, poetry, and criticism that illuminate his writing, a comprehensive bibliography of primary and secondary sources, as well as a generous selection of photographs, drawings, reproductions of paintings, documents, manuscript pages, and other visual materials. Among entries are a number of unpublished essays and commentaries about Federman's work commissioned specifically for this volume by well-known critics and translators including Brian McHale, Richard Martin, Ronald Sukenick, Geoffrey Green, and many others. Click opposite on the number "10" for a review of this recent FEDERMAN volume. BUY IT NOW!
| Modernism Since Postmodernism: Essays on
paper, 252 pp.
Second Printing 2015
Modernism Since Postmodernism: Essays on Intermedia completed Dick Higgins' critical trilogy that began with A Dialectic of Centuries: Notes Towards a Theory of the New Arts and continued with his Horizons: The Poetics and Theory of Intermedia. A fluxperson, artist, poet, composer and scholar of intermedia, Higgins also authored Pattern Poetry: Guide to an Unknown Literature among numerous other works. He died in October of 1998.
Of course kitsch can be fun. Already 125 years ago, Rimbaud recognized this when, in the second section of A Season in Hell, he speaks of liking dumb paintings, door panels, stage sets, backdrops for acrobats, street signs, old-time literature and such-like. Who doesn't?... "Kitschspeak" is the term I use...for the fashionable kitsch language about the arts, sometimes delightful for a while, as with Jacques Derrida, for instance, but ultimately locked so closely into fashion and the world of second-rate and derivative art that it is all but impossible to use with major work and thus destined to pass into academia or oblivion once its novelty has passed....There are, of course, many schools of postmodernism--and they are just that, schools--but for a preliminary discussion there is no need to identify all of them. However, it can be argued that most of them are of two sorts: pop-academic, in which the professors cite each other to build up a lattice of assumptions into a polemic that may or may not have any correspondence with the realities of the arts that lie outside what is known in their trade as "the discussion." The academic trades are known collectively among participants in such discussions as "the profession," much as prostitutes refer to "the life."
Dick Higgins from the Foreword to Modernism Since Postmodernism
Creek: The Crisis of Prisons in America
paper, 116 pp.
The author of this book spent
almost ten years teaching in some of New York State's
harshest maximum-security prisons. Vernooykill
Creek is a sensitive and profound cry of moral
outrage against the penalization of America,
especially of America's less advantaged citizens.
Matlin's personal essay takes the long view, placing
our current prison crisis in a historical context.
According to critic Noam Chomsky, ". . . It's a really
impressive piece of work, which captures with
wrenching vividness the torture we inflict on others,
and ultimately on ourselves. . ." Howard Zinn writes
that "Vernooykill Creek is an eloquent and
powerful rumination on his experience teaching in
prison. It goes beyond his personal story to put into
sharp and disturbing perspective the larger problem,
so cruelly handled in our society, of crime and
punishment." Richard Stratton, the former
Editor-in-Chief and publisher of Prison Life
magazine adds: "David Matlin spent nearly a decade as
a teacher in some of New York State's toughest
maximum-security penitentiaries. The experience moved
him to compose this devastating essay. Matlin writes
with insight and passion as he diagnoses a hideous
malady plaguing America, the imprisonment boom, the
warehousing of a whole generation of young African
American and Latino men in our nation's violent and
retribution-oriented prisons that threatens to destroy
the very foundations of our culture." David Matlin's
first novel, How the Night is Divided, was
nominated for The National Book Critics Circle Award
and Border Regions in Europe and North America
Edited by Paul Ganster, Alan Sweedler, James Scott, and Wolf Dieter-Eberwein
paper, 376 pp.
This volume is a collection of
essays on issues affecting the political, economic,
social, and cultural significance of international
borders. It is an undertaking that is particularly
timely due to global events that are so rapidly
changing our understanding of international relations.
The contributors to this book share basic research and
practical interests in deepening understanding of the
multifarious and often contradictory processes that
condition human interaction across international
borders. Published jointly by San Diego State
University Press and The Institute for Regional
Studies of the Californias.
|San Diego State University: A History in
Word and Image
by Raymond Starr
Trade paperback: 262 pages; illustrated | $36 plus shipping/handling
1995 | Also available in a Special limited hardback edition
$100 plus shipping/handling
San Diego State University: A
History in Word and Image, by Raymond Starr, is
the first and only comprehensive history of the
largest campus in the California State University
system. Originally conceived as a history through
photographs by the late John Adams, whose generosity
has made possible this publication, the work expanded
to become a full-fledged history of the University.
Separate chapters cover the founding of the
institution in the 1890s in downtown San Diego,
subsequent transfer to its Park Avenue site, then
later relocation to Montezuma Mesa. Special attention
is given to student life, athletics, the growth of
academic programs, and how the institution was
affected by world events such as World War I and World
War II. We are able to see the growth of the school
from its beginnings as a teachers college (or "normal"
school) to its current status as a major public
comprehensive university with an internationally
respected faculty, vital research institutes,
increasingly significant academic ties to Mexico and
the Pacific Rim, and joint doctoral programs. San
Diego State University: A History in Word and
Image underscores the centrality of the
University both to the local community and as a key
player in national and international intellectual
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